Like many European artists of his generation, Nicola Pecoraro has an evident disinterest in what appear to be the prevalent values on which much of contemporary artistic research is based.

He seems little concerned with placing his work through reference to history or the art system, but rather to a set of signals coming from everyday life. Signals that pile up and thicken, which tend to change in meaning or lose it altogether, a little like white noise generated by the accumulation of sound frequencies. This density makes understanding the work difficult and thus opens it up to many more interpretations.